“What’s it like, being dead?”
“…I don’t know, I guess it’s like being inside a book that nobody’s reading.” – From Tim O’Brien’s The Things They Carried. This quote bowled me over. Not just because it’s a fresh look at death, but because it captures my feelings. While I’m writing I Trespass, I’m “inside a book nobody’s reading.”
Which is to say, sometimes I feel dead.
Don’t get me wrong, it’s not a bad dead. Let’s pretend there’s good dead and bad dead, and this is more of the with-my-fellow-dead, dead. My characters and I are someplace everybody else isn’t.
In the Bible, the word death is never defined by lexicographers as annihilation or extinction or even unconsciousness, but as separation. And that distinction helps me wrap my mind around death. I hope it helps you too. So while I’m writing my book nobody’s reading, I feel a separation– like I have a secret or a double life. This is the thing I carry: my story. The one for which I presently labor, and the ones waiting in the queue of my imagination.
Yesterday I finished a short story based on a family member. I began writing with real names and only at the end did I do a find/replace. (Well look at that, some members of my family are paying attention.) Keeping as much truth as possible for as long as possible helps me in the initial slog-through of the story. Once I get momentum, truth and fiction blur. I mash together an uncle and a nephew into a new little boy of my own creation. The truth is, I had a feeling I wanted to convey. I can’t even name it, but it’s the way you feel when you’re unprotected and it begins to rain and home is a long way off. It’s one to which I keep returning– children and the forces that play upon them. I have an uncle who committed suicide, and I’ve often wondered how that went down the day they were told. Rather than ask (what fun is that?), I made up how it went down that day, the day they were told.
Anyway, I wanted so badly to share this story with somebody, anybody who could say yes, I get it! or no, you’re unclear, etc. I often draft my children into literary service. Gabe is a precocious twelve year old and has often shown me plot holes or character flaws, but this story is rather sordid. I spared him. Tory, my mature and insightful writing critic is overwhelmed with school and work, and only a selfish brute would put a manuscript under her nose (for the second time this week), so I didn’t. I thought of putting a call out to my friends on Facebook or WordPress along the lines of Ahoy! Anybody sitting around wishing for a beta read? The deadline is October 1st, and I need immediate assistance… But also a part of me wanted to just ship it off, which I did.
Writing is also like war time communication, pamphlets dropped by the thousands on an uncaring population. Even in Hiroshima and Nagasaki no one bothered to read the warnings dropped from American planes that said something along the lines of: Evacuate or die. And my missives are not nearly that important. You can imagine how few people read them. Well, maybe you can’t, but I can. You’d think the inverse relationship between labor output and actual reads would send me running to another, more impactful activity. On the contrary, If I can’t write something wonderful I know no one will read, I’ll write about the process of writing something I think is wonderful I know no one will read… Exhibit A: this post.
I meant to write about a harvest, which was my prompt from Carrot Ranch. Unfortunately, I got side-tracked. When I think harvest, the first thing that comes to mind is the harvest of souls talked about in Matthew 9:37. Jesus compares proselytizing to harvesting. Actually, harvesting is one of God’s favorite metaphors. At the end of all things, He says, there will be a great harvest where the wheat and the weeds will be gathered and sorted and– woe to you weeds out there. That’s the gist. Don’t be a weed.
Because separation doesn’t feel so cozy as a book nobody’s reading.