fiction, on writing

Zeroflash Fiction: Chernobyl Romantics

On this journey to publishing my novel I often take little tangents, usually in the form of writing competitions. I love the immediacy of the feedback and the stretching prompts. Zeroflash’s August competition garnered me an honorable mention from the talented Jan Kaneen. I can’t tell you how uplifting it is to have a writer whose work I admire, admire my work! The writing journey is often riddled with insecure moments, lonely moments; the whole thing is mostly me feeling misunderstood and reaching out, like a kid holding a scribbled drawing and asking Do you like it? But as the journey goes on, I don’t hold up my drawings anymore, though some days I long to– especially on days when I’m feeling Genesis 1:31  …and God saw all that He made and behold, it was very good. I know my insatiable need for affirmation is a beast that must be tamed. But can never be tamed. Robert Frost taught me: Success doesn’t tame it, not all the praise in the the world will tame an artist.

My writing style often provokes this response: I don’t get it. Four words I dread to hear, but need to hear. Am thankful to hear. But these four I love much better: to-die-for language, with specific examples. So I’m savoring this moment of hearing four different words.

I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. I’m not proud. – Stephen King

I went shamelessly for the gross out. Read it and see if you agree.

Chernobyl Romantics

Fedir and Art were sorely unprepared for chemistry– all the excuse they needed for a day trip to the exclusion zone. Their options were “F” in chemistry vs. possible radiation poisoning. One promised a thrill.

“It’s perfectly safe,” Fedir said, “How else do all those animals live there?”

The abandoned amusement park surpassed their imaginings: especially the bumper cars frozen in skewed arrangements, caught in verdant webs of nature’s somnolent devour. Hostile shrubs punched through pane-less windows, and towering above it all– the Ferris wheel, monument to stilled life in Pripyat. Art pulled out his copy of Roadside Picnic and read: “Intelligence is the ability… to perform pointless or unnatural acts– ”

From the tangled growth a sound: leaves being crushed. Art’s smile died on his face.

“Quick!” Fedir dived into the nearest Ferris wheel car. Art followed. Probably just moose, but it could be police. A guttural growl, more leaves stomped, the brisk snap of tree limbs. Some enormity was less than twenty feet away and advancing.

“Moose?” whispered Art. He swiveled and peaked over. A serrated tongue flashed, cracked whip-like, and the top of Art’s head disappeared. Cleanly. Bone sliced like melon rind. The piece of Art that held his eyes was tossed mercifully away. Fedir heard it strike the metal supports then come to rest on the asphalt. He sank lower into the footwell and noted with macabre interest, Art’s hands still gripped the rail though he’d slumped.

Fedir remained frozen while the cloying copper smell of Art bloomed, lingered, and long since evaporated. In a cathedral silence. One with the steel cage, the grooves in the footwell painfully embossed Fedir’s skin. Art’s bowels released. Fedir wept silently.

The sun set behind a barb wire copse. Shadows advanced, followed by smothering dark. Fedir heard stirrings from the wood.

 

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