Anne Lamott calls it her broccoli. Stephen King calls it his beast.
My beast was asleep. I tried prodding him, kicking him, calling him bad names. No roars. No lightning bolts of creativity. Just me, slapping words on a page with the precision of a toddler, becoming more and more certain I was wasting my time.
Writers have a chronic god-complex: the need to create something amazing. Luckily the god-complex comes with a handy counterbalance: rejection. One moment you’re in rags talking to mice and the next you’re wearing the grandest gown of all, dancing with the prince. Then the clock strikes twelve, and you’re in rags again. This is the rejection-acceptance wheel, and—from what I can tell—it never ends.
So I’m writing, and there’s this nagging feeling that it’s garbage, what I’m putting on the page. The urge to do something practical like dishes starts to rise to the top of my consciousness like sweet cream. I’m cobbling together this little flash, hating it with a Frankensteinian passion, and hating myself for the time I could never get back (the dishes weren’t cleaning themselves). Several times I threw up my hands in frustration. I said mean things to the screen. When I think how close I came to shutting off my laptop and forging ahead with my day, story unfinished, I cringe.
Because now, I love that little flash. It’s one of my favorites.
At some point in the process, the story began to have a pulse. I don’t know when, exactly. But it was as if skin was grafted to some dead thing. Beautiful skin. And I thought: I like that arm. Then, I like that leg, that face, and so on. Until I thought, where did you come from, oh great and glorious creation?
Well I’ll be. You came from me.
I love a happy ending.